Skip to main content

Writing a URI Regular Expression

A friend of mine was tasked with writing a regular expression that could recognize a Uniform Resource Identifier (URI) and break apart its primary components. Not a terribly difficult task since there are a lot of sample regexs one can just pluck from the Internet. But he asked my opinion and I deferred to RFC 3986 which outlines the generic syntax for URIs.

The RFC provides this example expression:
^(([^:/?#]+):)?(//([^/?#]*))?([^?#]*)(\?([^#]*))?(#(.*))?
Personally though I think that's rather sloppy. Were I to write the expression from scratch myself then I'd probably be more verbose and restrictive; I'd expressly match patterns specified in the RFC's ABNF. For example, the RFC defines the scheme portion of a URI as:
scheme = ALPHA *( ALPHA / DIGIT / "+" / "-" / "." )
The portion ^([^:/?#]+): will match characters that are not lexically permitted, such as an underscore or percent-sign. Assuming the i (case-insensitive matching) modifier is used, something like ^([A-Z][A-Z\d\+\-\.]*): would be more correct.

This highlights one of the joys of writing regexs; regexs is one of the few areas of computing in which you don't have to be completely accurate to achieve the desired results. A "close-enough" match will suffice most of the time.

While I'm on the topic of regexs, check out gskinner.com's RegExr: Online Regular Expression Testing Tool at www.gskinner.com/RegExr/ if you haven't already. It’s a great utility!

Comments

Popular posts from this blog

Composing Music with PHP

I’m not an expert on probability theory, artificial intelligence, and machine learning. And even my Music 201 class from years ago has been long forgotten. But if you’ll indulge me for the next 10 minutes, I think you’ll find that even just a little knowledge can yield impressive results if creatively woven together. I’d like to share with you how to teach PHP to compose music. Here’s an example: You’re looking at a melody generated by PHP. It’s not the most memorable, but it’s not unpleasant either. And surprisingly, the code to generate such sequences is rather brief. So what’s going on? The script calculates a probability map of melodic intervals and applies a Markov process to generate a new sequence. In friendlier terms, musical data is analyzed by a script to learn which intervals make up pleasing melodies. It then creates a new composition by selecting pitches based on the possibilities it’s observed. . Standing on Shoulders Composition doesn’t happen in a vacuum. Bach wa...

What's Wrong with OOP

Proponents of Object Oriented Programming feel the paradigm yields code that is better organized, easier to understand and maintain, and reusable. They view procedural programming code as unwieldy spaghetti and embrace OO-centric design patterns as the "right way" to do things. They argue objects are easier to grasp because they model how we view the world. If the popularity of languages like Java and C# is any indication, they may be right. But after almost 20 years of OOP in the mainstream, there's still a large portion of programmers who resist it. If objects truly model the way people think of things in the real world, then why do people have a hard time understanding and working in OOP? I suspect the problem might be the focus on objects instead of actions. If I may quote from Steve Yegge's Execution in the Kingdom of Nouns : Verbs in Javaland are responsible for all the work, but as they are held in contempt by all, no Verb is ever permitted to wander about ...

Does Esperanto-USA have a Transparency Problem?

I’ve been an active member of Esperanto-USA for many years, even serving on its board of directors. I wanted to help build a strong, healthy national organization that effectively promotes Esperanto in the United States. But when I stepped down from the board, that desire didn’t end. I continued to bring problems to the attention of the organization, ranging from member rights to strategy to proper governance. I’ve decided to be public about this latest issue because of its seriousness and because of how the board has been secretive about it. The membership deserves to know what is done in their name. What Happened In November 2025, the board of Esperanto-USA sent a formal letter to Esperanto-Ligo en Israelo (ELI) with a copy to UEA, concerning an article published in ELI’s bulletin. The article, written by Eduardo Topol, contained inflammatory political content. And although I agree that the article was extremely offensive, the board’s decision to inj...